#HOMEWORLD 3 KAREN CODE#
By making this more traditional, planet-bound RTS, they built up the game code and experience they’d need to unify space and land-based real-time strategy. It’s possible that Blackbird Interactive’s Homeworld: Deserts of Kharak, a prequel game showing how the Kushan people escaped their dying desert world, was a proof of concept. These art concepts, if they are implemented into the final release of Homeworld 3, would expand the tactical options of players, letting them destroy larger fleets by exploiting natural chokepoints and maneuvering them into environmental traps.Ī painting of spaceships floating over a cloud-draped city also suggests another new mechanic, wildly ambitious but groundbreaking if it can be implemented: the ability to invade planets, moving from the vacuum of space into a world’s atmosphere.
Fighters and frigates weave between truly immense starships, behemoths that are too big to manufacture and too thick to be destroyed using standard weapons. Battle Fleets clash over the surface of the sun, an environmental hazard that can damage fleets with coronal mass ejections. Looking through Homeworld 3’s concept art, users can see hints of new map features that will have tangible effects on classic Homeworld gameplay: ancient, broken megastructures that spaceships can enter, harvest and hide in. Homeworld 1 and 2 compensated for the ‘empty space map’ problem by including phenomena like gas clouds, asteroid fields, space station fragments, and floating minefields, but truly large phenomena like planets, moons, or Dyson Sphere fragments were beyond the limit of early 2000s graphics technology. Released concept art suggests Blackbird Interactive is looking to expand tactical options in Homeworld 3 by adding big objects to their open space environments. Related: 10 Of The Best Space Travel Movies Of All Time, Rankedīy the same token, though, these large spaces had few obstacles or chokepoints players could use to make interesting maneuvers. As the player clicked on ships and ordered them across the game map, the size of the map and the smallness of their fleet drove home the beautiful vastness of space. These gameplay visuals, established in Homeworld 1 and refined in Homeworld: Cataclysm and Homeworld 2, added a sense of melancholy and grandeur to the RTS cycle of "gather resources, build units, and send them to attack". Battle lines of sturdy frigates exchange ion cannon volleys with the distant enemy, the light of the galactic core burning in the background. Attack Fighters dance in combat like flocking sparrows, their engines leaving ethereal trails of light in their wake.
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